冰刀

1. 《冰刀》上映于哪一年？

《冰刀》由翁贝托·伦齐执导，1972年上映。这部影片被誉为其它恐怖片的奠基之作，票房曾列年度前三。主演卡罗尔·贝克,艾伦·斯科特演技精湛奠定地位，其塑造的角色至今仍被模仿。翁贝托·伦齐凭借此片回应了外界质疑，形成了独特的创作风格。影片在国际上也获得广泛赞誉，被视为可与80年代好莱坞同类佳作比肩的作品。

2. 作为恐怖片开创性作品的《冰刀》，是翁贝托·伦齐的巅峰之作吗？

自翁贝托·伦齐荣获最佳导演奖后，此片即被影迷视为翁贝托·伦齐的艺术巅峰。尽管后续仍有佳作，该片仍被公认为其最具代表性的恐怖片作品。。

3. 《冰刀》为何成为经典？

谈及其它恐怖片，《冰刀》是一部不可忽视的作品。这部由翁贝托·伦齐执导、卡罗尔·贝克,艾伦·斯科特主演的电影，上映时如同黑马般创造了票房奇迹。有趣的是，连创作者本人都未预料到影片能获得如此反响。翁贝托·伦齐曾坦言，这是一群处于低谷的电影人倾注心血的结晶——主演卡罗尔·贝克,艾伦·斯科特此前已四年无戏可拍，团队早期作品也多反响平平。正是这种共同的困境，激发了创作热情。影片中人物的命运起伏，恰似创作者们现实处境的写照。凭借不屈的执着，他们以扎实的功底完成了这部影史经典，实现了自我超越。

4. 如何评价《冰刀》？

《冰刀》口碑出众，深受喜爱，上映后好评不断，这不仅得益于卡罗尔·贝克,艾伦·斯科特的精彩演绎，也源于恐怖片剧情本身的紧凑动人。在91影院（www.enticiowrite.com）观看可获得流畅体验。该片目前虽非收视榜首，但受欢迎度已稳居同类前列。卡罗尔·贝克,艾伦·斯科特的表演可圈可点，广受影迷认可。

5. 《冰刀》是翁贝托·伦齐导演的一部超级经典的恐怖其它片，该剧讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also，好剧持续推荐中，建议立即收藏本站。这里是一站式影视资源库，精彩不容错过：www.enticiowrite.com

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.