恩培多克勒之死

1. 《恩培多克勒之死》上映于哪一年？

《恩培多克勒之死》由达尼埃尔·于伊耶,让-马里·斯特劳布执导，1987年上映。这部影片被誉为法国剧情片的奠基之作，票房曾列年度前三。主演威廉姆·伯格,Georg,Brintrup,霍华德·沃侬演技精湛奠定地位，其塑造的角色至今仍被模仿。达尼埃尔·于伊耶,让-马里·斯特劳布凭借此片回应了外界质疑，形成了独特的创作风格。影片在国际上也获得广泛赞誉，被视为可与80年代好莱坞同类佳作比肩的作品。

2. 作为剧情片开创性作品的《恩培多克勒之死》，是达尼埃尔·于伊耶,让-马里·斯特劳布的巅峰之作吗？

自达尼埃尔·于伊耶,让-马里·斯特劳布荣获最佳导演奖后，此片即被影迷视为达尼埃尔·于伊耶,让-马里·斯特劳布的艺术巅峰。尽管后续仍有佳作，该片仍被公认为其最具代表性的剧情片作品。。

3. 《恩培多克勒之死》为何成为经典？

谈及法国剧情片，《恩培多克勒之死》是一部不可忽视的作品。这部由达尼埃尔·于伊耶,让-马里·斯特劳布执导、威廉姆·伯格,Georg,Brintrup,霍华德·沃侬主演的电影，上映时如同黑马般创造了票房奇迹。有趣的是，连创作者本人都未预料到影片能获得如此反响。达尼埃尔·于伊耶,让-马里·斯特劳布曾坦言，这是一群处于低谷的电影人倾注心血的结晶——主演威廉姆·伯格,Georg,Brintrup,霍华德·沃侬此前已四年无戏可拍，团队早期作品也多反响平平。正是这种共同的困境，激发了创作热情。影片中人物的命运起伏，恰似创作者们现实处境的写照。凭借不屈的执着，他们以扎实的功底完成了这部影史经典，实现了自我超越。

4. 如何评价《恩培多克勒之死》？

《恩培多克勒之死》口碑出众，深受喜爱，上映后好评不断，这不仅得益于威廉姆·伯格,Georg,Brintrup,霍华德·沃侬的精彩演绎，也源于剧情片剧情本身的紧凑动人。在91影院（www.enticiowrite.com）观看可获得流畅体验。该片目前虽非收视榜首，但受欢迎度已稳居同类前列。威廉姆·伯格,Georg,Brintrup,霍华德·沃侬的表演可圈可点，广受影迷认可。

5. 《恩培多克勒之死》是达尼埃尔·于伊耶,让-马里·斯特劳布导演的一部超级经典的剧情法国片，该剧讲述了：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocl，好剧持续推荐中，建议立即收藏本站。这里是一站式影视资源库，精彩不容错过：www.enticiowrite.com

The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,　　the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.